"The cast of three is excellent, especially young Jeremy Kahn, who is pretty darn charming for a killer."
-David Bell, Time Out New York
"Marx's script is remarkable, stirring, and richly human, an enormously impressive NYC debut. It is matched by a stark, sad, potent performance by Jeremy Kahn as Daniel, who conveys myriad emotions—anger, remorse, loss, despair, and yes, joy—with a simplicity that's staggering and spare."
-Martin Denton, NYTheatre.com
-David Bell, Time Out New York
"Marx's script is remarkable, stirring, and richly human, an enormously impressive NYC debut. It is matched by a stark, sad, potent performance by Jeremy Kahn as Daniel, who conveys myriad emotions—anger, remorse, loss, despair, and yes, joy—with a simplicity that's staggering and spare."
-Martin Denton, NYTheatre.com
"That verisimilitude is portrayed to perfection by the four actors in Amy Glazer's brightly orchestrated staging... She has her first therapy client, Zack (a terrific Jeremy Kahn), the wiseacre, adenoidal teen son of her new principal...the actors keep the humor not only sharp, but engagingly humane."
-Robert Hurwitt, San Francisco Chronicle
"Even better is Kahn's spot-on portrayal of a dead-eyed kid whose apathy masks heartbreaking guilt and grief. In his final scene with Quine, he nails a difficult balance between sweetness and awkwardness, all underscored with the same crushing despondency. In fact, he's so effective at portraying profound unhappiness that it's a relief when he smiles during the curtain call."
-Chris Jensen, SF Weekly
-Robert Hurwitt, San Francisco Chronicle
"Even better is Kahn's spot-on portrayal of a dead-eyed kid whose apathy masks heartbreaking guilt and grief. In his final scene with Quine, he nails a difficult balance between sweetness and awkwardness, all underscored with the same crushing despondency. In fact, he's so effective at portraying profound unhappiness that it's a relief when he smiles during the curtain call."
-Chris Jensen, SF Weekly
"All three actors deliver playwright Carter W. Lewis' sometimes overwrought lines beautifully. Hafen wears a guise of tough implacability quite comfortably, but it serves only as imperfect armor for a girl confused in so many ways. Kahn uses his glibness and facility with words to mask his fear and frustration. Both create truly memorable characters."
-Pat Craig, Contra Costa Times
"Jeremy Kahn continues to impress as a young actor who has an uncanny ability to tap into a teenager's internal tug-of-war between his blossoming intelligence and sudden spikes of anger and confusion."
-George Heymont, My Cultural Landscape
-Pat Craig, Contra Costa Times
"Jeremy Kahn continues to impress as a young actor who has an uncanny ability to tap into a teenager's internal tug-of-war between his blossoming intelligence and sudden spikes of anger and confusion."
-George Heymont, My Cultural Landscape
"Sepideh Moafi embodies the young Luisa with an irresistible combination of lovely, mischievous innocence, gnawing dissatisfaction and cascades of golden notes - better matched than usual by a boyish, fine-tuned Jeremy Kahn as her callow-youth neighbor lover Matt.... Moafi and Kahn charm as the young lovers in their preening soliloquies and secret wooing at the wall between their feuding parents."
-Robert Hurwitt, San Francisco Chronicle
"A beguiling and impish Sepideh Moafi sings like an angel and captures Luisa’s every emotional nuance. As her next-door sweetheart, Jeremy Kahn is charmingly nerdy and impulsive. The two simply bristle with youthful, restless energy."
-Jean Schiffman, The SF Examiner
-Robert Hurwitt, San Francisco Chronicle
"A beguiling and impish Sepideh Moafi sings like an angel and captures Luisa’s every emotional nuance. As her next-door sweetheart, Jeremy Kahn is charmingly nerdy and impulsive. The two simply bristle with youthful, restless energy."
-Jean Schiffman, The SF Examiner
"The entire cast has been solidly constructed...Other high energy moments of dramedy are Jeremy Kahn (Stevie Moore) as a fast-talking punk... It is stellar acting wrapped up in Whitney McBride’s character-perfected costumes."
-Katy Walsh, ChicagoTheatreBeat.com
"Jeremy Kahn is a stitch as the clueless juvenile, transforming wonderfully into a crow and a squirrel when entranced by his witch aunt."
-Jonathan Abarbanel, Windy City Times
-Katy Walsh, ChicagoTheatreBeat.com
"Jeremy Kahn is a stitch as the clueless juvenile, transforming wonderfully into a crow and a squirrel when entranced by his witch aunt."
-Jonathan Abarbanel, Windy City Times
"His blind cousin (and roommate), Issac (Jeremy Kahn in a fabulous performance) is an insightful artist whose power to “see” events (such as that accident) without knowledge of its meaning sets the stage for panic and fatalistic results... Jeremy Kahn and Chris Chmelik, as Isaac and Carl, gave powerfully emotional wrenching performances."
-Tom Williams, ChicagoCritic.com
"The role of Isaac could have devolved into stereotype, but is spared that by an intelligent, deeply humanizing performance by Kahn"
-Paige Listerud, ChicagoTheaterBeat.com
-Tom Williams, ChicagoCritic.com
"The role of Isaac could have devolved into stereotype, but is spared that by an intelligent, deeply humanizing performance by Kahn"
-Paige Listerud, ChicagoTheaterBeat.com